Category: Digital Cinema Cameras
AMIRA – the perfect tool for your job – is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps.
It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
Category: Digital Cinema Cameras
Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system.
Category: Digital Cinema Cameras
ARRI’s new large-format camera system consists of the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount and PL-to-LPL Adapter. Featuring a sensor slightly larger than full frame, the ALEXA LF camera records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore the immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.
Category: Digital Cinema Cameras
35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System.
Category: Digital Cinema Cameras
Features
Camera Type: 35 format film-style digital camera with an electronic viewfinder
•Video Resolution/frame rates: ProRes HD 0.75 120 fps, ProRes 2K 0.75 60 fps, ProRes 3.2K 0.75 30 fps, DN X HD HD 075 120 fps, ARRIRAW 0.75 120 fps
•Photo Sites:
16:9
2880 x 1620 used for ARRIRAW 16:9
2880 x 1620 down sampled to 1920 x 1080 for HD-SDI, ProRes HD 16:9 and DNxHD HD 16:9
2868 x 1612 down sampled to 2048 x 1152 for ProRes 2K 16:9
3168 x 1778 used for ProRes 3.2K 16:9
4:3 Full
2880 x 2160 used for ARRIRAW 4:3 Full
2868 x 2150 down sampled to 2048 x 1536 for ProRes 2K 4:3
4:3 Cropped
2578 x 2160 used for ARRIRAW 4:3 Cropped
Open Gate
3414 x 2198 used for ARRIRAW Open Gate
•Sensor Type: 35 format ALEV III CMOS sensor with Bayer pattern color filter array
•File Formats: ARRIRAW, compressed and unencrypted QuickTime/ProRes, MXF/DNxHD
•Memory Card: SD Card
•Image Stabilization: yes
•Shutter: Electronic rolling shutter, 5.0º – 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.
•Filters: Permanent filters in front of the sensor: optical low pass, UV, IR. with built-in Internal Filter Module (IFM-1) filter holder for one of eight Full Spectrum Neutral Density (FSND) filters (manual insertion/removal)
•Max Frame Rate: 120 fps
•Operating Modes: 16:9, 4:3 Full, 4:3 Cropped or Open Gate sensor modes. Switching takes approx. 60 seconds. 16:9 available for ARRIRAW, ProRes and DNxHD recording. 4:3 Full available for ARRIRAW and ProRes 2K recording. 4:3 Cropped and Open Gate available for ARRIRAW recording. Regular or High Speed mode. Switching takes approx. 20 seconds.
Category: Digital Cinema Cameras
35 format ALEV III CMOS sensor
16:9, 4:3, 6:5 or Open Gate sensor modes
14 in-camera recording formats
ProRes 4K UHD (3840 x 2160 pixels)
ProRes 4K Cine (4096 x 2637 pixels)
16:9 0.75 – 120 fps
6:5 0.75 – 96 fps
4:3 0.75 – 96 fps
Open Gate 0.75 – 90 fps
4 independent monitoring outputs
Anamorphic cinematography
