Category: PL Mount Zooms
RED PRO ZOOMS offer a flexible focal range alongside exceptional optical quality, giving you a lens that is both sharp and dynamic.
Category: PL Mount Zooms
The new Compact Zoom CZ.2 28-80mm lens is as versatile as it is powerful and incorporates features never seen before on a lens of this kind, handy, compact, and ready for 4k. Together with its larger brother, the CZ.2 70-200mm, these lenses give you a wide range of creative options. With its compact size and light weight, this lens is the ideal companion for even the most ambitious applications, including handheld, Steadicam and projects in confined spaces. And thanks to its robust, cine-style housing (which also allows for the use of a follow-focus system), and full-frame coverage, this lens will be a reliable option for years to come.
Category: PL Mount Zooms
The new Compact Zoom CZ.2 70-200mm lens is as versatile as it is powerful and incorporates features never seen before on a lens of this kind, handy, compact, and ready for 4k. Together with its smaller brother, the CZ.2 28-80mm, these lenses give you a wide range of creative options. With its compact size and light weight, this lens is the ideal companion for even the most ambitious applications, including handheld, Steadicam and projects in confined spaces. And thanks to its robust, cine-style housing (which also allows for the use of a follow-focus system), and full-frame coverage, this lens will be a reliable option for years to come.
Category: PL Mount Zooms
The Lightweight Zoom LWZ-1 is the only compact zoom that combines outstanding optical image quality – inherited from the Master Primes – with smooth mechanics and light weight. 4.4 lbs (2 kg) of radical spherical and aspherical lens elements, exotic glass materials and the T* XP anti-reflection coating ensure a sharp, high resolution image that covers the entire Super 35 frame and perfectly matches the other ARRI/Zeiss lenses.
Category: PL Mount Zooms
ARRI introduces this new lightweight lens to its popular line of modern zooms. The ARRI/FUJINON Alura 15.5-45/T2.8 shares the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6) already best-sellers. It boasts the highest optical quality in a robust housing at an affordable price. This new zoom has been designed for hand held, Steadicam, small camera setups and 3D rigs, it is lightweight (around 2 kg/4.4 lbs) and compact in size.
Category: PL Mount Zooms
ARRI introduces this new lightweight lens to its popular line of modern zooms. The ARRI/FUJINON Alura 30-80/T2.8 shares the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6) already best-sellers. It boasts the highest optical quality in a robust housing at an affordable price. This new zoom has been designed for hand held, Steadicam, small camera setups and 3D rigs, it is lightweight (around 2 kg/4.4 lbs) and compact in size.
Category: PL Mount Zooms
Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight. Features include matched wide and long PL mount zooms, consistent aperture over entire zoom range, consistent contrast, resolution and field illumination across the whole focus and zoom range, robust construction, and large, easy-to-read precision focus scales on both sides, matched to existing prime lenses.
Category: PL Mount Zooms
Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight. Features include matched wide and long PL mount zooms, consistent aperture over entire zoom range, consistent contrast, resolution and field illumination across the whole focus and zoom range, robust construction, and large, easy-to-read precision focus scales on both sides, matched to existing prime lenses.
Category: PL Mount Zooms
The PL 19-90 Cabrio (ZK4.7×19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7×19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 2.7kg including servo motors, this lens has the longest focal range available in a light weight zoom.
Category: PL Mount Zooms
The 4K PL 85-300 Cabrio (ZK3.5×85) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK3.5×85 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. Despite the impressive 85-300mm focal range the weight its weight is only 3.0kg including servo motors.
Category: PL Mount Zooms
The CN7x17 KAS S P1 offers stunning 4K optical performance, features a servo drive unit and incorporates an 11-blade diaphragm to deliver softer, more attractive out of focus areas. Thanks to an impressive 7x zoom, with focal length spanning 17mm to 120 mm, and maximum T-number of T2.95, the CN7x17 KAS S P1 may be the only lens you need. A 3-group inner focus system developed for Canon lenses reduces focus breathing to an absolute minimum.
Category: PL Mount Zooms
Ideal for sports events and wildlife applications, the CN20x50 IAS H P1 offers 4K Performance, 20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender).
Benefits from using the CN20x50 IAS H P1 include:
Ultra-telephoto lens with class-leading focal length
Wide variety of shooting and expression
Carriable and durable with intuitive operation
Category: PL Mount Zooms
Angenieux Optimo DP 16-42 with an aperture of T2.8 is a lightweight and compact PL mount zoom lens designed for digital cameras. Optimo DP 16-42 delivers the superior zoom optics, functionality and ergonomics that DPs demand at an economical price. The ideal match for the Optimo DP 30-80mm.
Category: PL Mount Zooms
Angenieux Optimo DP 30-80 with an aperture of T2.8 is a lightweight and compact PL mount zoom lens. OPTIMO DP 30-80 zoom lens is designed for digital cameras. Optimo DP 30-80 brings the very best of film to the new world of large format digital production. It is the perfect match for the Optimo DP 16-42mm.
Category: PL Mount Zooms
Exceptional optical quality enables the 15-40 to rival the best prime lens series at equivalent focal distances. Perfect homogeneity of colorimetry, contrast and resolution. Compact and very light at under 2kg, centre of gravity identical on all compact zooms. No ramping, no breathing, precise, ergonomic focus ring. The precise witness marks and mecanics of the lens and its superior optical quality enable you to shoot cutting edge productions.
Category: PL Mount Zooms
Exceptional optical quality enables the 28-76 to rival the best prime lens series at equivalent focal distances. Perfect homogeneity of colorimetry, contrast and resolution.. Compact and very light at under 2kg, centre of gravity identical on all compact zooms. No breathing, no ramping, precise, ergonomic focus ring. The precise witness marks and mecanics of the lens and its superior optical quality enable you to shoot cutting edge productions.
Category: PL Mount Zooms
Exceptional optical quality enables the 45-120 to rival the best prime lens series at equivalent focal distances. Perfect homogeneity of colorimetry, contrast and resolution, compact and very light at under 2kg, centre of gravity identical on all compact zooms. No breathing, no ramping, precise, ergonomic focus ring. The precise witness marks and mecanics of the lens and its superior optical quality enable you to shoot cutting edge productions.
Category: PL Mount Zooms
Exceptional optical quality enables the 24-290 to rival the best prime lens series at equivalent focal distances. Perfect homogeneity of colorimetry, contrast and resolution for high-end film and digital cameras. No ramping, no breathing, precise, ergonomic focus ring. The precise witness marks and mechanics of the lens and its superior optical quality enable you to shoot cutting edge productions.
Category: PL Mount Primes
The Zeiss Compact Prime CP.2 100mm T2.1 weighs 1.5kg with a front diameter of 114mm and close focus of 30″.
The Zeiss Compact Prime CP.2 50mm Makro T2.1 weighs 1.4kg with a front diameter of 134 mm and close focus at 10″. The Compact Prime CP.2 lensesâ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand.
Category: PL Mount Primes
The Zeiss Compact Prime CP.2 50mm Makro T2.1 weighs 1.4kg with a front diameter of 134 mm and close focus at 10″. The Compact Prime CP.2 lensesâ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand.
| Compact Prime CP.2 | Aperture | Close Focus1 | Length2 | Front diameter | Weight | AOV3 |
|---|---|---|---|---|---|---|
| CP.2 15 mm/T2.9 | T 2.9 to T 22 | 0.3 m / 12″ | 86 mm / 3.39″ | 114 mm / 4.5″ | 0.9 kg / 2.0 lbs | 79° |
| CP.2 18 mm/T3.6 | T 3.6 to T 22 | 0.3 m / 12″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 0.9 kg / 2.0 lbs | 69° |
| CP.2 21 mm/T2.9 | T 2.9 to T 22 | 0.24 m / 10″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 1.0 kg / 2.2 lbs | 61° |
| CP.2 25 mm/T2.1 | T 2.1 to T 22 | 0.26 m / 10″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 0.9 kg / 2.0 lbs | 53° |
| CP.2 28 mm/T2.1 | T 2.1 to T 22 | 0.24 m / 10″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 1.0 kg / 2.2 lbs | 48° |
| CP.2 35 mm/T2.1 | T 2.1 to T 22 | 0.3 m / 12″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 1.0 kg / 2.2 lbs | 39° |
| CP.2 50 mm/T2.1 | T 2.1 to T 22 | 0.45 m / 18″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 0.9 kg / 2.0 lbs | 28° |
| CP.2 85 mm/T2.1 | T 2.1 to T 22 | 1 m / 3’3″ | 80 mm / 3.15″ | 114 mm / 4.5″ | 0.9 kg / 2.0 lbs | 17° |
| CP.2 100 mm/T2.1 CF | T 2.1 to T 22 | 0.7 m / 2’6″ | 132 mm / 5.19″ | 114 mm / 4.5″ | 1.5 kg / 3.3 lbs | 14° |
| CP.2 135 mm/T2.1 | T 2.1 to T 22 | 1 m / 3’3″ | 149 mm / 5.86″ | 114 mm / 4.5″ | 1.6 kg / 3.5 lbs | 11° |
| CP.2 50 mm/T2.1 Macro | T 2.1 to T 22 | 0.24 m / 10″ | 132 mm / 5.19″ | 134 mm / 5.3″ | 1.4 kg /3.0 lbs | 28° |
Category: PL Mount Primes
Zeiss Compact Prime CP.2 Lens set consisting of 5 x EF Mount Lenses – 18mm, 25mm, 35mm, 50mm & 85mm.
The Compact Prime CP.2 lenses improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand.
Category: PL Mount Primes
Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.
Focal lengths from 15 to 135 mm
Category: PL Mount Primes
Award winning Cooke S4i Prime Lenses were designed and developed in close technical collaboration with industry professionals.
Our set consists of 18, 25, 32, 50, 75 & optional 100mm prime lenses.
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
Category: PL Mount Primes
Award winning Cooke S4i Prime Lenses were designed and developed in close technical collaboration with industry professionals.
Our set consists of 18, 25, 32, 50, 75 & optional 100mm prime lenses.
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
Category: PL Mount Primes
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. Cooke are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses. Cooke’s new Panchro, is true to the original look of the now legendary Speed Panchro and recreates the same look and feel of the original with the advantage of modern glass mounted for today’s cameras.
Our Cooke Panchro/i Classic lens set consists of 18, 25, 32, 50, 75 & 100mm. Additional lenses available include 40 & 152mm.
Category: PL Mount Primes
Zeiss Ultra Prime Lens set consisting of 5 x PL Lenses – 16mm, 24mm, 32mm, 50mm and 85mm.
A large team of mathematicians and physicists have translated the latest scientific research findings into practice, among other things employing lead-free and arsenic-free optical glasses. The objective was to create lenses which for the first time completely unite all main characteristics such as focus, contrast, colour saturation, colour uniformity and compactness together with the high speed T 1.9 rating and low aperture-induced focus shift.
Category: PL Mount Primes
The Master Prime Lenses finally realized a cinematographer’s dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Prime Lenses open up new creative opportunities, making shots possible that would have been considered impossible before. Our set consists of 14, 18, 21, 25, 27, 32, 40, 50, 65, 75, 100 & 135mm lenses.
Category: PL Mount Primes
The new Leica Summicron-C lenses from CW Sonderoptic, makers of the Leica Summilux-C. Summicron-C offers 6 new T2.0 prime lenses: 18, 25, 35, 50, 75 and 100 mm.
These light, lower cost alternatives to the Summilux-C provide incredible performance that matches or exceeds the competition, with full coverage up to and including the new RED dragon sensor.
Category: PL Mount Primes
The new Leica Summicron-C lenses from CW Sonderoptic, makers of the Leica Summilux-C. Summicron-C offers 6 new T2.0 prime lenses: 18, 25, 35, 50, 75 and 100 mm.
These light, lower cost alternatives to the Summilux-C provide incredible performance that matches or exceeds the competition, with full coverage up to and including the new RED dragon sensor.
Category: PL Mount Anamorphics
The Evolution 2X anamorphic lenses are based on the original optical designs of the vintage and rare Kowa Anamorphics and the P+S TECHNIK lens rehousing. The original KOWA Anamorphic prime lenses were produced until the 1970’s and four different primes were available: 40mm, 50mm, 75mm and 100mm. The look and bokeh of the Evolution 2X lenses match the genuine anamorphic look of the original KOWA Anamorphic lenses. The optical design of the Evolution 2X lenses is based on their original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.
Focal Length: 40mm, 50mm, 75mm, 100mm & 135mm
Category: PL Mount Anamorphics
Renowned Optimo quality Anamorphic zoom with 2x squeeze, fast aperture of T4 with no ramping, 320° focus rotation with over 50 focus marks and no breathing, superior optical performance with image flatness and low distortion.
Focal Length: 56-152 mm
Category: PL Mount Anamorphics
The Anamorphic/i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. All of the anamorphic lens characteristics demanded by filmmakers today with the Cooke Look and oval bokeh. That’s the Cooke Anamorphic/i Look. Images beautifully rendered for film and especially suited for use with digital cameras.
Our lens set currently consists of 25, 32, 40, 50, 75, 100 with 2x squeeze & 135mm.
Category: PL Mount Anamorphics
Orion Series lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and a signature but controlled flare.
The Orion Series Anamorphic Lenses are built to be a universal filmmaking tool – ready for the latest Digital Cinema PL mount cameras and are even designed to accommodate the rotating mirror shutter of 35mm Motion Picture Film Cameras following Arri PL Flange requirements. Whether your hire project requires you to shoot digital or film, the Orion lenses have the coverage you need and boasts a larger than S35mm Image Circle. (Alexa Open Gate full height Coverage)
Focus has a deep 270° travel rotation. Cine pitch 0.8 mod gearing on both the Iris and Focus rings are spaced to allow simultaneous drive control, even when two motors are mounted on the same side of the lens.
| Focal Length | 40mm | 65mm | 100mm |
|---|---|---|---|
| Lens Mount | PL | PL | PL |
| F/T Stop | T2 | T2 | T2 |
| Close Focus | 2’/ 560mm | 2.75’/ 840mm | 3.5′”/ 1000mm |
| Front Diameter | 114mm/ 3.14″ | 114mm/ 3.14″ | 114mm/ 3.14″ |
| Weight | 2.2kg | 2.2kg | 3kg |
| Length | 189mm/ 7.4″ | 184mm/ 7.2″ | 254mm/ 10″ |
Category: Large Format
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.
Category: Large Format
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
Available in focal lengths: 16,18, 21, 25, 27, 32, 40, 50, 65, 75, 100 and 135mm
Category: Large Format
The newest members of the ARRI lens family are the large-format and the Super 35 ARRI Signature Prime lenses fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame.
Our Arri Signature Prime lens set consists of 25, 29, 40, 47, 75 & 95mm. Additional lenses available include 21, 58, 125 & 150mm.
Category: Lenses
SPECIFICATIONS
24 – 290mm T3.2 cf 4′ 0.5″”
162mm Front Diameter
PL Mount
Impressive Contrast and Colour Reproduction
Low Breathing
Category: Lenses
SET INCLUDES
SPECIFICATIONS
Category: Lenses
SET INCLUDES
OPTIONAL:
SPECIFICATIONS
Category: Lenses
Focal Length: 40 mm
Focal Length: 50 mm
Focal Length: 60 mm
Focal Length: 75 mm
Focal Length: 100 mm
Focal Length: 55-165 mm
Category: Lenses
Canon 5 lens vintage prime T1.3-1.5 PL lens set – 18mm, 24mm, 35mm, 50mm, 85mm
Canon K35 PL Prime Lens Set
Category: Lenses
Cooke S6i anamorphic PL 2x prime lens set consisting of 5 x lenses: 32mm/T2.3, 40mm/T2.3, 50mm/T2.3, 75mm/T2.3, 100/T2.3.
Precision anamorphic lenses created by Cook with the legendary ‘Cooke Look’.
The Anamorphic /i lenses offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. Like all Cooke S4/i, 5/i and miniS4/i prime lenses, the cam focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. Cooke S6i anamorphic PL Prime set,
Category: Full Frame Lenses
These ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
Category: Full Frame Lenses
Extremely fast (T1.5) cinema prime lenses in EF mount offering 4K lens quality to all PL mount digital film and large sensor cameras.
5 lens package 18-85mm/T1.5 with Full Frame (FF Φ46.7) and S35 coverage.
Compatible with all cameras with EF mount including Full Frame cameras too without adaptation. Also compatible with Sony A7S and other cameras with suitable lens adapter. Please request suitable adapters when ordering.
All are rated for full 4K resolution and include follow focus rings, clear focus scaling and are fully manual throughout and the build quality is first class.
These lenses are optimised for cinema use and all feature a 9-blade aperture diaphragm for a beautiful full rounded bokeh with a wider image size beyond VistaVision format.
The lenses are 2kg to 2.6kg each, so lens support is necessary (provided). You will need 15mm bars support to support these lenses.
Tokina 5 lens Cine Prime Set Comprising
All Tokina Cine Primes have a 112mm front diameter.”
Category: Lenses
Covers up to 35mm 4-Perf Scope
2x Anamorphic Squeeze / 2.4x Zoom Ratio
Wide-Angle, Compact Design
Suitable for 4K+ Image Capture
Constant T4 Maximum Aperture
320° Focus Rotation, No Breathing
Short 26″ Close Focus
PL Mount with Optional EF & PV Mounts
Focus Marks in Feet
Category: Lenses
Focal Length: 50-500mm
Speed: T5.2-22
Weight(lbs): 9.5
Close Focus: 5’7″
Length: 11″
Front Diameter: 136mm
Category: Lenses
The Angénieux 25-250mm HR T3.5 offers a wide range with a medium-sized body, a good aperture, and a medium weight of 10.5 lbs. It is a high-quality and reliable zoom lens well-suited for a variety of shots.
Technical Specs
Category: Lenses
Equipped with a 35mm PL mount, the PL 25-300mm boasts a high zoom ratio covering the focal length of 25mm to 300mm. Like all Cabrio zooms, the PL 25-300mm supports an optional detachable drive unit for electric zooming, focusing and iris. Mounting the unit enables remote control of zoom, focus, and iris adjustment. It can be used as a self-contained ENG-style or cine style lens. When used without the drive, industry-standard cine motors can be fitted.
Designed using the latest proprietary optical simulation software, the PL 25-300mm offers exceptional optical performance in the center of the image and in the corners of the frame. The digital servo’s 16-bit encoding assures operators that all lens data output—including the position of the zoom, iris, and focus—is extremely accurate. The zoom supports Lens Data System (LDS) and /i Technology metadata formats, and can be controlled using cinema industry standard wireless controllers as well as existing Fujinon wired and wireless units.
Focal Length 25-300mm
Max Aperture T3.5
Coverage Super 35, APS-C
Lens Mount PL
Min. Focus 4′
Front Dia. 136mm
Length 1′ 3″
Weight 18.5 lbs.
Category: Lenses
ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range. All Alura Zooms’ color characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire.
Focal Length 45-250mm
Max Aperture T2.6
Coverage Super 35, APS-C
Lens Mount PL
Min. Focus 3.9′
Front Dia. 134mm
Length 14.5″
Weight 16.5 lbs.
Category: Lenses
The Optimo 15-40mm offers a superb balance between quality and agility. The Lighteight Optimo line is among the lightest and the most compact series of cine zoom lenses in the industry and are perfectly suited for projects requiring modern, lightweight and compact digital cameras and Steadicam work.
Focal Length 15-40mm
Max Aperture T2.6
Coverage Super 35, APS-C
Lens Mount PL, EF, PV
Min. Focus 2′
Front Dia. 114mm
Length 7.3″
Weight 4.2 lbs.
Category: Lenses
The standard by which other professional zoom lenses are measured. With a 12x zoom range and constant T2.8 aperture, the 24-290mm Optimo is the perfect choice for just about any production.
Focal Length 24-290mm
Max Aperture T2.8
Coverage Super 35, APS-C
Lens Mount PL
Min. Focus 48″
Front Dia. 162mm
Length 17.3″
Weight 24.2 lbs.
Category: Lenses
The Master Anamorphic series, a range of nine high-performance prime lenses, represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.
A perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
Features
Category: Full Frame Lenses
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics.
All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
Category: Full Frame Lenses
Focal lengths: 25mm, 32mm, 50mm, 75mm & 100mm
T2.0 – T22 aperture
Covers at least 46.31mm image circle
Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
Award-winning cam style mechanism for smooth focus adjustments
Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
Supplied with the next generation of /i Technology for lens metadata capture
Linear iris
The Cooke Look®, of course
Category: Lenses
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage.
Category: Lenses
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, ZEISS is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation.
Interchangeable Mount
Full frame coverage (CP.2 18mm only APS-H)
Robust cine style housing with the ability to utilize follow-focus
Standard focus and iris gear positions
Five different mounts available (PL, EF, F, E and MFT mount)
Consistent front diameter (except of 50 Macro)
Longer focus rotation and a manual focus and iris
Calibrated focus scales
Category: Lenses
he Ultra Prime Lenses have the widest focal range of any 35mm prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. They are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.
The Ultra Prime Lenses have been co-developed by ARRI and ZEISS, are manufactured by ZEISS, and are sold exclusively by ARRI.
Features
15 modern high performance prime lenses (T.1.9)
Widest focal length range: 8 – 180 mm
ARRI Ultra Prime 8R, an extreme wide angle lens
Superior close focus ability
Category: Lenses
ARRI LDS Ultra Prime lenses were the first to be kitted out with ARRI’s revolutionary Lens Data System (LDS). The LDS Ultra Prime series consists of ARRI Ultra Prime optical elements transplanted into specially designed housings that allow each lens to communicate with the camera electronically, easing tasks on set and providing valuable metadata for postproduction.
Floating elements for outstanding close-up performance
covers Super 35
Genuine internal focus for sensitive focusing
Increased image contrast and resolution over the entire focal range
Super color matched with ARRI Ultra Prime, ARRI Master Prime, and ARRI Alura Zooms
Uniform and constant position of scales
Built-in encoders and electronic PL mount (PL-LDS) for lens metadata
Category: Lenses
16 high speed prime lenses (T1.3)
12 – 150 mm
Higher resolution & contrast
No geometric distortion
Dramatically reduced flare
Virtually no breathing
Category: Lenses
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments.
Modular construction increases ease of maintenance and serviceability.
Category: Lenses
Cooke 5/i optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments.
Modular construction increases ease of maintenance and serviceability. Cooke 5/i Prime Lenses were designed and developed in close technical collaboration with industry professionals.
They are colour-matched and compatible with Cooke S4/i, miniS4/i, CXX 15-40 mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses.
Category: 35mm Vintage Prime Lens
| Focal Length | Aperture | Close Focus | Front Diameter | Weight (lbs) |
|---|---|---|---|---|
| 18mm | T1.5 | 1′ | 110mm | 3.8 |
| 24mm | T1.5 | 1′ | 110mm | 2.8 |
| 35mm | T1.3 | 1′ | 110mm | 3.7 |
| 55mm | T1.3 | 22″ | 110mm | 2.5 |
| 85mm | T1.3 | 2’9″ | 110mm | 3.3 |
Category: 35mm Vintage Prime Lens
| Focal Length | Aperture | Close Focus | Front Diameter | Weight (lbs) |
|---|---|---|---|---|
| 18mm | T1.5 | 1′ | 110mm | 3.2 |
| 24mm | T1.6 | 1′ | 80mm | 1.6 |
| 35mm | T1.3 | 1′ | 80mm | 2 |
| 55mm | T1.4 | 2′ | 80mm | 1.5 |
| 85mm | T1.4 | 3′ | 80mm | 2 |
