Digital Cinema Cameras

Digital Cinema Cameras

  • Phantom Flex 4K

    Category: Phantom

    The Phantom Flex4K delivers low noise, high resolution 4K imaging at super 35mm format. The full- size images are delivered via 9.4 Gpx throughput in the Cine Raw file format. With up to 1,000 fps in 4K the images are compatible with major color grading and video editing applications and support standard sync-sound frame rates.

    Lens mount options increase the operator flexibility and are interchangeable between PL, Canon EF (with electronic control), and Nikon F. The ability to change mounts encourages shot variety and decreases workflow difficulty between shots.

    The Flex4K features a complete on-camera control interface view a menu system. 100% un-tethered operation is possible through battery mounts and remote-control options.

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  • AMIRA

    Category: Digital Cinema Cameras

    AMIRA – the perfect tool for your job – is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps.

    It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

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  • ALEXA Mini LF

    Category: Digital Cinema Cameras

    Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system.

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  • ALEXA LF

    Category: Digital Cinema Cameras

    ARRI’s new large-format camera system consists of the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount and PL-to-LPL Adapter. Featuring a sensor slightly larger than full frame, the ALEXA LF camera records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore the immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.

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  • RED RANGER WITH MONSTRO 8K VV

    Category: Digital Cinema Cameras

    RED’s RANGER is an integrated Large Format 8K camera system offering an all-in-one system for production use. It features all of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers. Features like integrated I/O’s, 24V power out, shimmed PL Mount and improved thermal performance offer unmatched versatility as well as peace of mind in challenging shooting environments. The camera will ship complete with necessary rigging and support for improved set-up time.

    RANGER is capable of handling the rigorous strain and robust power needs of high-end studio productions. Supporting wide input voltage (11.5V to 32V) and more independent SDI and AUX power outputs, as well as an integrated XLR audio input. The camera also boasts a larger fan for quieter and more efficient temperature management.

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  • DSMC2 BRAIN

    Category: Digital Cinema Cameras

    RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.

    With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.
    NOTE: The DSMC2 BRAIN® itself does not have a DC IN power port. A port expander or power module is required to power the camera. To construct a working configuration for any BRAIN, RED recommends an expander, battery, lens mount, display, and media.

    NOTE: All DSMC2 BRAINs ship with a standard OLPF; an OLPF 2-pack is available for Skin Tone-Highlight and Low Light shooting environments.

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  • VariCam

    Category: Digital Cinema Cameras

    WEIGHT: 5kg (11-lbs.)
    SENSOR: Super 35 mm MOS
    DIMENSIONS (W x H x D): 144 x 165 x 262mm
    LENS MOUNT: PL mount
    OPTICAL FILTER ND Filters: Clear/0.6/1.2/1.8
    ISO Setting Native ISO: 800, 5000
    800 base: 200 – 4000
    5000 base: 1250 to 12800
    POWER CONSUMPTION: 91 W

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  • Venice

    Category: Digital Cinema Cameras

    VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 anamorphic and spherical and full-frame 24mm-height anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.

    VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.

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  • ARRI MINI

    Category: Digital Cinema Cameras

    35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System.

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  • ARRI ALEXA XT

    Category: Digital Cinema Cameras

    Features

    Camera Type: 35 format film-style digital camera with an electronic viewfinder
    •Video Resolution/frame rates: ProRes HD 0.75 120 fps, ProRes 2K 0.75 60 fps, ProRes 3.2K 0.75 30 fps, DN X HD HD 075 120 fps, ARRIRAW 0.75 120 fps

    •Photo Sites:
    16:9
    2880 x 1620 used for ARRIRAW 16:9
    2880 x 1620 down sampled to 1920 x 1080 for HD-SDI, ProRes HD 16:9 and DNxHD HD 16:9
    2868 x 1612 down sampled to 2048 x 1152 for ProRes 2K 16:9
    3168 x 1778 used for ProRes 3.2K 16:9
    4:3 Full
    2880 x 2160 used for ARRIRAW 4:3 Full
    2868 x 2150 down sampled to 2048 x 1536 for ProRes 2K 4:3
    4:3 Cropped
    2578 x 2160 used for ARRIRAW 4:3 Cropped
    Open Gate
    3414 x 2198 used for ARRIRAW Open Gate

    •Sensor Type: 35 format ALEV III CMOS sensor with Bayer pattern color filter array
    •File Formats: ARRIRAW, compressed and unencrypted QuickTime/ProRes, MXF/DNxHD
    •Memory Card: SD Card
    •Image Stabilization: yes
    •Shutter: Electronic rolling shutter, 5.0º – 358.0º up to 60 fps; 5.0° to 356° above 60 fps. Shutter angle adjustable with 1/10 degree precision.
    •Filters: Permanent filters in front of the sensor: optical low pass, UV, IR. with built-in Internal Filter Module (IFM-1) filter holder for one of eight Full Spectrum Neutral Density (FSND) filters (manual insertion/removal)
    •Max Frame Rate: 120 fps
    •Operating Modes: 16:9, 4:3 Full, 4:3 Cropped or Open Gate sensor modes. Switching takes approx. 60 seconds. 16:9 available for ARRIRAW, ProRes and DNxHD recording. 4:3 Full available for ARRIRAW and ProRes 2K recording. 4:3 Cropped and Open Gate available for ARRIRAW recording. Regular or High Speed mode. Switching takes approx. 20 seconds.

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  • ARRI ALEXA SXT

    Category: Digital Cinema Cameras

    35 format ALEV III CMOS sensor
    16:9, 4:3, 6:5 or Open Gate sensor modes
    14 in-camera recording formats
    ProRes 4K UHD (3840 x 2160 pixels)
    ProRes 4K Cine (4096 x 2637 pixels)
    16:9 0.75 – 120 fps
    6:5 0.75 – 96 fps
    4:3 0.75 – 96 fps
    Open Gate 0.75 – 90 fps
    4 independent monitoring outputs
    Anamorphic cinematography

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  • RED EPIC DRAGON 6K

    Category: Digital Cinema Cameras

    With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD.

    Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. I

    ndustry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.

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  • RED DSMC2 8K S35

    Category: Digital Cinema Cameras

    At full 8K resolution, the HELIUM sensor captures 35.4 Megapixel motion and stills. Coupled with 60–75 fps, WEAPON 8K S35 provides the most advanced VFX solution with next-level creative flexibility.

    With other HELIUM sensor advancements, WEAPON 8K boasts improved low-light sensitivity and impressive dynamic range.

    Blazing-fast 300 MB/s data rates allow you to take advantage of the lowest possible REDCODE®—and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.

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  • RED MONSTRO 8K VV

    Category: Digital Cinema Cameras

    Capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps—WEAPON 8K VV™ delivers cinematic image quality with a sensor size of 40.96 mm x 21.60 mm.

    At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills with low noise and now ships with IPP2, RED’s improved image processing pipeline. WEAPON 8K VV provides the most advanced VFX solution with next-level creative flexibility. Blazing-fast 300 MB/s data rates allow you to take advantage of the best possible REDCODE® settings — and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.

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