Category: Full Frame Lenses
These ten prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
Category: Full Frame Lenses
Extremely fast (T1.5) cinema prime lenses in EF mount offering 4K lens quality to all PL mount digital film and large sensor cameras.
5 lens package 18-85mm/T1.5 with Full Frame (FF Φ46.7) and S35 coverage.
Compatible with all cameras with EF mount including Full Frame cameras too without adaptation. Also compatible with Sony A7S and other cameras with suitable lens adapter. Please request suitable adapters when ordering.
All are rated for full 4K resolution and include follow focus rings, clear focus scaling and are fully manual throughout and the build quality is first class.
These lenses are optimised for cinema use and all feature a 9-blade aperture diaphragm for a beautiful full rounded bokeh with a wider image size beyond VistaVision format.
The lenses are 2kg to 2.6kg each, so lens support is necessary (provided). You will need 15mm bars support to support these lenses.
Tokina 5 lens Cine Prime Set Comprising
All Tokina Cine Primes have a 112mm front diameter.”
Category: Full Frame Lenses
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics.
All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.2 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
Category: Full Frame Lenses
Focal lengths: 25mm, 32mm, 50mm, 75mm & 100mm
T2.0 – T22 aperture
Covers at least 46.31mm image circle
Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
Award-winning cam style mechanism for smooth focus adjustments
Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
Supplied with the next generation of /i Technology for lens metadata capture
Linear iris
The Cooke Look®, of course